DyscultureD Episode Fifteen: "The Quint" is up!

DyscultureD

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Full Dysclosure
MacWorld Expo: The Show Before The Show
Phishing for the Fail Whale on Twitter
Facebook Says No Boobs Allowed - Unless You Are One Of Their Policy-Makers
Why Facebook is losing its status as “Treehouse 2.0″ - Parents Welcome!
Spotify: The Torrent Alternative

Tech Segment
The 6 Things That Kinda Shoulda Probably Won’t Happen in 2009

Wheel of Pop
Movies 1990

Websites Of The Week
Mike: www.makezine.com
Anth: www.ponoko.com

Musical Selection
Fembots

thinglets: who says the mundane can't be snazzy

Coolmaterial.com has just released a list they call Ultra-Minimalism: 19 Cool Products That Are Almost Impossible to Use. Included are toilets, tables, mugs, watches and other assorted basic sundry items that have become stylized to the point of the fanciful to the unrecognizable to the plain unusable.

Judge yourself. I personally think the Malevich-inspired Das Keyboard Ultimate is a bit too minimalist for my tastes.

Das Keyboard Ultimate

lovehate: Content Authority on the Web

Web2.0 has taken us to a place where we now have the tools to disseminate any information far and wide through networks of contacts, friends, followers, etc.. Since the web has also become the great repository of content, one would think that the two naturally go hand in hand. And in many cases they do just that. We are about to hit a point, however, where a traditional media critic would shake their head and most people would wander blindly.
 
We have become far better educated on the workings on traditional media than the outlets would like to have us. For those who care to look, it's not difficult to see that television, radio and print media skew content to affect advertising. In fact, many of us, while we would like to wag our fingers in shame, often just give a wry smile of self-satisfaction that we have once again caught sight of the wizards behind the curtain. We assume there is an agenda behind everything. We're jaded. We may not know the content gatekeepers by name, but we know their motivations and, thus, infer their tactics.
 
And we do begrudge them in our own ways. Maybe it's because they've cancelled our favorite television show because the ratings never took off. Maybe it's because I can't listen to an afternoon drive time personality without four minute commercial breaks every ten minutes. Maybe it's that my local arts & entertainment weekly seems more concerned with filling up pages with ads for massage parlors and escort services than reporting on movies or music. But no matter how much we begrudge them, we reluctantly "get it" and grin and bear it from week to week.
 
This is what the traditional media critic understands, condemns and rails against when they think it can make a difference. We try to peddle whatever influence we may have with the gatekeepers to shape our vision of a medium more friendly to the consumer. After all, "shouldn't the public airwaves belong to the public?" we decry in our moral outrage.
 
Over the past decade for most (and two decades for some) the trickle of information from traditional media outlets to online ones has turned to torrents. Where traditional media often suffers from a lack of original content, the web has an abundance. Where traditional media has stifled creators to fitting a formula for acceptance, the web (on many levels anyway) is free of formula and parameters. If you want to post or upload something, go right ahead. But how many people could get any of their YouTube content broadcast on traditional media outlets? The gatekeepers that we view so cynically would never let an untrusted, unproven element enter their content. Their filters are what has made their media so safe, constrained, and, in many ways, boring.
 
The New Media critic is one that is more overwhelmed in trying to keep up with, and report on, the vast array of content and technologies. They write articles on websites, blogs, microblogs, streams, aggregators, sms, feeds and every different flavor and alpha and beta associated with them. What I think many of them are missing, or maybe just can't think of an audience interested to hear about it, is the incumbent problem that arises from a system with so much unrestrained content: new media is still media. The rules will remain the same. In an ocean of content, the end consumer needs a boat to sail on - i.e. gatekeepers have evolved from other popular consumers who have been given such authority.
 
The oft-regurgitated and imitated internet memes are not the result of someone in a suit wringing their hands together in Montgomery Burns-like Machiavellian glee. Instead, maybe it's through sites that offer "suggestions" or "favorites" and then ratings on the favorites. Maybe it's through thousands re-Tweets and site hits based on an innocuous post from a someone with 50,000 microblog followers. And it's not just memes, there is a small group of web authorities that knowingly or unknowingly craft popularity within the medium. And while I certainly don't begrudge them their popularity or their influence, they are a big reason why LOLcats exploded. For every popular web authority that dropped a harmless "this is hilarious" and link to "I Can Haz Cheezburger", 50,000 people went scrambling off in Prell shampoo-like fashion to tell two friends, and they tell two friends, and so on, and so on....
 
I'm not saying that New Media doesn't need a gatekeeper system of some sort, but, plainly, we just can't sit idly by and allow a microscopic trickle of content get reduced from the ocean. I'm all for the banal and the idiotic popping up it's absurdist head into pop culture once in a while. But when banal becomes popular, and popularity breeds more banality we're becoming no better than the television pilot writer who decides not to write a script that is controversial because it will never get picked up. Such a pattern reduces, not the entire web, but indeed the popular and public face of it to its lowest common denominator - far from the wild, untamed frontier we might like to think it is.
 
I hope the pattern isn't inevitable. I hope all the rules of old media don't apply to new media, but our lifetimes of training to be passive consumers have left few of us with any need or want to treat the web any differently from television. While many still see the user-based ownership potential over the web, two things are happening that are very old school: 1) popularity is breeding power and 2) the influx of the general populace means even more people who want to be fed instead of hunt and gather. I fear an impending timeline that will make New Media an outdated concept. The providers of content may be different, but the rules to gain access to the audience will be the same.

gatekeeping

thinglets: Panasonic Invents Paperless Fax

Why does this strike me like when my dad first said "I bought a cordless screwdriver" and I replied "Haven't they been cordless for centuries". Panasonic now wants you to buy a fax machine to essentially do email. With smartphones and internet messaging devices of all sizes, it make me wonder why someone would want to buy something the size of a fax machine to receive an email on. Can't people finally get behind the scanner/pdf process yet?

You can read about it here if your Japanese is good or here if it's old reliable English you crave. If not, you can take solace in the fact that if you haven't sent a fax in years, and wonder why people still do, you're really not missing out by shaking free of the early adoption on this one.

paperless fax

thinglets: Film-a-month Favs for 2009 (part two)

all dates from comingsoon.net

July - 2012

Some slim pickings for what's usually a solid month of the year. I've not, and will not, see a Harry Potter film in the theater. That being the case, for the apocalyptic geek in me... and the fact that John Cusack is in it, 2012 is my pick.

Never before has a date in history been so significant to so many cultures, so many religions, scientists, and governments. "2012" is an epic adventure about a global cataclysm that brings an end to the world and tells of the heroic struggle of the survivors.

August - Inglourious Basterds

When one shakes random director and genre generators and comes up with Quentin Tarantino and World War II... how can I not see this?

"Inglourious Basterds" (sic) begins in German-occupied France, where Shosanna Dreyfus (Mélanie Laurent) witnesses the execution of her family at the hand of Nazi Colonel Hans Landa (Christoph Waltz). Shosanna narrowly escapes and flees to Paris, where she forges a new identity as the owner and operator of a cinema.

Elsewhere in Europe, Lieutenant Aldo Raine (Brad Pitt) organizes a group of Jewish soldiers to engage in targeted acts of retribution. Known to their enemy as "The Basterds," Raine's squad joins German actress and undercover agent Bridget Von Hammersmark (Diane Kruger) on a mission to take down the leaders of The Third Reich. Fates converge under a cinema marquee, where Shosanna is poised to carry out a revenge plan of her own.

September - The Informant

Okay, something strikes me as strange when too many post-apocalyptic/futuristic/vampire options are given in the first couple weeks of the month. I'd rather stick with Soderbergh and Damon.

What was Mark Whitacre thinking? A rising star at agri-industry giant Archer Daniels Midland (ADM), Whitacre suddenly turns whistleblower. Even as he exposes his company's multi-national price-fixing conspiracy to the FBI, Whitacre envisions himself being hailed as a hero of the common man and handed a promotion. But before all that can happen, the FBI needs evidence, so Whitacre eagerly agrees to wear a wire and carry a hidden tape recorder in his briefcase, imagining himself as a kind of de facto secret agent. Unfortunately for the FBI, their lead witness hasn't been quite so forthcoming about helping himself to the corporate coffers. Whitacre's ever-changing account frustrates the agents and threatens the case against ADM as it becomes almost impossible to decipher what is real and what is the product of Whitacre's rambling imagination. Based on the true story of the highest-ranking corporate whistleblower in U.S. history.

October - Where the Wild Things Are

I've gotta give give mad retro respect to a Maurice Sendak book being made into a film by Spike Jonze no less.

An adaptation of Maurice Sendak's classic children's story, where Max, a disobedient little boy sent to bed without his supper, creates his own world--a forest inhabited by ferocious wild creatures that crown Max as their ruler.

November - Sherlock Holmes

Not that I care too much that Guy Ritchie is involved... Lock, Stock and Two Smoking Pipes anyone? But it's Robert Downey Jr. and Jude Law. Thankfully this is coming out before what I'm sure will be a notoriously unfunny comedic remake that's rumored with Will Ferrell and Sacha Baron Cohen. I almost picked The Wolfman with Benicio Del Toro, but I really wish they hadn't gone period piece with it. I was hoping for a modern-day adaptation.

In a dynamic new portrayal of Arthur Conan Doyle's most famous characters, "Sherlock Holmes" sends Holmes and his stalwart partner Watson on their latest challenge. Revealing fighting skills as lethal as his legendary intellect, Holmes will battle as never before to bring down a new nemesis and unravel a deadly plot that could destroy the country.

December - Avatar

I get the feeling there are still WAY more announcements for film releases almost a year from now, but, based on the known titles as of now, James Cameron alone wins this for me. What looks like a solid cast is bound to be surrounded by some spectacular cinematography and effects.

"Avatar" tells the story of an ex-Marine, thrust unwillingly into an effort to settle and exploit an exotic planet rich in bio-diversity, who eventually crosses over to lead the indigenous race in a battle for survival.

Avatar concept art

thinglets: Film-a-month Favs for 2009 (part one)

all dates from comingsoon.net

January - Taken

Luc Besson co-wrote this and he's got a mind that's just twisted enough to make it good.

A former government operative comes out of retirement and uses on his extensive training to rescue his estranged daughter from a slave trade operation.

February - The International

Looks kinda like a Bourne film, which is fine in my books.

Interpol Agent Louis Salinger (Clive Owen) and Manhattan Assistant District Attorney Eleanor Whitman (Naomi Watts) are determined to bring to justice one of the world's most powerful banks. Uncovering myriad and reprehensible illegal activities, Salinger and Whitman follow the money from Berlin to Milan to New York to Istanbul. Finding themselves in a high-stakes chase across the globe, their relentless tenacity puts their own lives at risk as their targets will stop at nothing – even murder – to continue financing terror and war.

March - The Watchmen

I've been waiting for this film since the Terry Gilliam rumors over ten years ago. Can I pay someone to put a Fatwa on Rupert Murdoch if Fox blocks this thing?

A complex, multi-layered mystery adventure, "Watchmen" is set in an alternate 1985 America in which costumed superheroes are part of the fabric of everyday society, and the "Doomsday Clock" - which charts the USA's tension with the Soviet Union - is permanently set at five minutes to midnight. When one of his former colleagues is murdered, the washed-up but no less determined masked vigilante Rorschach sets out to uncover a plot to kill and discredit all past and present superheroes. As he reconnects with his former crime-fighting legion - a ragtag group of retired superheroes, only one of whom has true powers - Rorschach glimpses a wide-ranging and disturbing conspiracy with links to their shared past and catastrophic consequences for the future. Their mission is to watch over humanity...but who is watching the Watchmen?

April - State of Play

Holy cast Batman!

Russell Crowe leads an all-star cast in a blistering thriller about a rising congressman and an investigative journalist embroiled in an case of seemingly unrelated, brutal murders. Crowe plays D.C. reporter Cal McCaffrey, whose street smarts lead him to untangle a mystery of murder and collusion among some of the nation's most promising political and corporate figures in "State of Play," from acclaimed director Kevin Macdonald ("The Last King of Scotland").

Handsome, unflappable U.S. Congressman Stephen Collins (Ben Affleck) is the future of his political party: an honorable appointee who serves as the chairman of a committee overseeing defense spending. All eyes are upon the rising star to be his party's contender for the upcoming presidential race. Until his research assistant/mistress is brutally murdered and buried secrets come tumbling out.

McCaffrey has the dubious fortune of both an old friendship with Collins and a ruthless editor, Cameron (Helen Mirren), who has assigned him to investigate. As he and partner Della (Rachel McAdams) try to uncover the killer's identity, McCaffrey steps into a cover-up that threatens to shake the nation's power structures. And in a town of spin-doctors and wealthy politicos, he will discover one truth: when billions are at stake, no one's integrity, love or life is ever safe.

May - Star Trek

Wow... what a month: Star Trek, Terminator, Angels and Demons, and X-men: Wolverine. I am, however, a sucker for the Trek with Angels and Demons a close second.

From director J.J. Abrams ("Mission: Impossible III," "Lost" and "Alias") and screenwriters Roberto Orci & Alex Kurtzman ("Transformers," "MI: III") comes a new vision of the greatest space adventure of all time, "Star Trek," featuring a young, new crew venturing boldly where no man has gone before.

June - The Taking of Pelham 1 2 3

I know, I've abandoned the new Transformers movie and Land of the Lost which should have a nostalgia-filled knockout punch for my choice, but... Will Ferrell's in it. Pelham gives me that retro feel that I just hope they can come close to the original on... see the original.

In "The Taking of Pelham 1 2 3," Denzel Washington stars as New York City subway dispatcher Walter Garber, whose ordinary day is thrown into chaos by an audacious crime: the hijacking of a subway train. John Travolta stars as Ryder, the criminal mastermind who, as leader of a highly-armed gang of four, threatens to execute the train's passengers unless a large ransom is paid within one hour. As the tension mounts beneath his feet, Garber employs his vast knowledge of the subway system in a battle to outwit Ryder and save the hostages. But there's one riddle Garber can't solve: even if the thieves get the money, how can they possibly escape?

2009 should have the torrent sites... I mean theaters... buzzing with downloads... I mean ticket sales.