I saw the best minds of my generation destroyed by joysticks, twitching drooling elated, dragging themselves past the neon signs at dawn digging for their last two-bits, angelhanded gamers tapping for the ancient heavenly connection to the starry dynamo in the machinery of lights.Ever since I was a young boy, I played the silver ball, but, to be honest, I spent most of my formative years playing video games. I regularly haunted arcades in and around my neighborhood, and often neighborhoods far afield, just in order to get some quality pixel exposure.I remember tapping a fire button twenty times for every shot on Taito's Space Invaders because there could only be one shot in the air at once. Similarly being engrossed in the camp lodge arcade near Bancroft, Ontario with Space Zap's quad-directional firing pattern until my eyeballs dried over and someone played Queen of Spades by Styx on the jukebox in the background. Hours spent at Queenston Mall playing Galaxian until the Food City got Galaga. Then over to Pepsi Pinball when aliens turned to insects in Centipede and Millipede.I remember finally being able to master the the thrust, spin, fire buttons of Asteroids at Queen's Bowling as vector graphics spilled across the screen, but really having my mind blown with Tempest's spinning geometry and the ability to paint the playfield with fire. I remember the advent of the trackball and consumption by the Xs and Os of Atari Football at Eastgate Square, soon to be brought to apotheosis by Missile Command's patriotic defense of the cities as bombardments of pixellated gravity-drawn destruction rained down from overhead.
I remember sneaking to the downtown Casino arcade for the side-scrolling savior status scooping civilians in Defender, eggs in Joust, Scramble's labyrinth of fuel tanks and rockets filling me with Flash Gordon moments of space warrior invincibility, and Zaxxon's faux 3-D angles of doom.I remember several doors down, at the Palace, strafing, guns blazing from room to room blasting robots in Berserk and Robotron while exercising a finesse with bow and arrow in Venture.I remember Gorf.I remember fearing for my life at the Blue Lagoon Lounge all to stand in line for a yellow circle that didn't fire anything, but ate dots and was pursued by ghosts that looked like the McDonald's Fry Goblins prompting an onslaught of maze progeny that followed with Ms., Baby and Super Pacman, Mousterap, Ladybug, Dig Dug, and Mr. Do.I jumped through carpal tunnels in Frogger.I achieved transcendental states leaping barrels with Mario before he became the brand.I travelled through the ages of Time Pilot.I threw down the Gauntlet and it threw back.I lived with Tron for half a year at 7-11.I rented and stood in roller skates for hours on end, not because I enjoyed roller skating, but because Roller World had one of the best game selections in the city.You can keep your Halo, Diablo, and Grand Theft Auto. Stop waxing emphatic about Wii Fit, Guitar Hero, and Call of Duty. I don't care if I ever hear another word about God of War, Final Fantasy, The Sims, or World of Warcraft.Give me a quarter, a joystick, a fire button to mash, and a place to enter A J M when I get high score.
If you are an indie music fan in Canada and you don't listen to CBC Radio 3 - shame on you!
If you're not Canadian, and have been missing out, do yourself a favor and check it out. If you click on the New Music Canada link at the top, you can stream songs from thousands of bands and solo artists covering a range of styles.
Radio 3 restored my faith in new music. You can check out my faves by searching gollamalloo under User Playlists.
p.s. The crazy looking animal in the pic is called a "Bucky".
While I don't mind Elliott Smith, I love this critical rip of one of his CDs even more:
"Elliott Smith is known best as a purveyor of sad-bastard music, a reputation he established right away on his gorgeously downbeat 1994 solo debut Roman Candle. But Smith also had a slyly humorous side, which he exhibits on the closing instrumental "Kiwi Maddog 20/20," a languid surf-y tune that wouldn't be out of place playing over the credits of a Quentin Tarantino film. Which means "Kiwi Maddog 20/20" is totally out of place on a collection of depressing folk-pop songs, though after 30 minutes with Smith's quiet tales of desperation it's practically a lifeline."
1) Either by one or two words, but as little as a syllable, create a common idiomatic usage, expression or cultural link (pop or otherwise) from one set to the next.
2) Do not take more than one turn in a row.
The poem starts like this...
Blue moon river runs through it sucks to be you can't touch this love has taken its toll bridge ____________