lovehate: MemeMakers

In being thoroughly discouraged by what cuts it as an internet meme these days, I've decided to do a little deconstruction in determining what make a meme into the little slice of temporary pop culture phenomena that it is.

First, let's not deceive ourselves into thinking that ascertaining a meme's popularity is totally predictable. I maintain that a mainstream meme is the result of sheer luck and circumstance of a well-placed tweet or digg by a popular blogger, or a surreptitious mention on a popular podcast. So if one's heart is set on creating the next big meme, where does one begin?

Ingredient One: I Can Mistake Inglish?

Back as far as "All Your Base Are Belong To Us" people have flocked to mildly humorous examples of the English language being misrepresented or completely mismanaged to create a lasting effect that ranges from the silly to the absurd. Of course several years after the "Base" meme ran its course, "I can has cheezburger" kept up the trend, but included what will become our second step. The "Base" meme, due to its early nature, took longer to evolve and, because of it, stuck around longer. Several music and video remixes were made that required a certain level of expertise and allowed for the endurance of "Base".

Ingredient Two: Animalz R Phunny

Whether it's a cat, owl, or prairie dog, the sure sense of a odds-on meme will include an animal of some sort. With popularity going back to the early days of cats making unsuccessful jumps from sofas to tables, people love to see animals in two different scenarios: 1) being cute, 2) wiping out. The animal memes rely heavily on the minor abilities of people to use image editing to add text to photos. The partial, yet relatively minor skills involved in pushing this type of meme forward will spread it far more quickly, but ultimately cause it to flame out quicker.

Ingredient Three: Unmotivationals

The minor Photoshopping skills that people require for the text/animal mashups can also be used to create faux motivational posters. While this has become a meme in itself that would have run its course, the endless content that can be adapted has kept this satirical or parody-inspired practice in vogue. Also, the sheer ridiculous factor of the ever-growing original Motivators will continue to inspire this knockoff meme.

Ingredient Four: People Say/Do the Stupidest Things

"Stupid" people (read: wrong time, wrong place, wrong words for many of them) initiate this style of meme that propagates through video. Let's face it, it only takes the flailing of Star Wars Kid or a beauty pageant candidate exposing her sheer idiocy to capture the imagination of a mashup web generation. Remember "I like turtles!", "I'm not taking my glasses off", or "Leave Britney Alone!" If you don't, you must have been away from the web or ignoring the Fw:fw:fw: in your webmail boxes during the perfect time period. The stupidity inspires mashups, knockoffs, and responses that can keep these memes alive for a few weeks. The ease of use in spreading the word about these clips have made them some of the most popular memes of all. After all, what does it really take to email a youtube link to a friend, post it on twitter or facebook, or blog about it? But even if video dries up, you can always just add text to a picture of a person caught in an embarrassing situation that reads "EPIC FAIL!"

Ingredient Five: The Unexpected

From the early efforts of people being redirected to gross out porn to the more recent efforts that have revived Rick Astley's career through Rickrolling, the ability of someone to perform misdirection in link text or similar disguise has become as much an email meme as it has a web meme. Microblogging is a ripe medium for such an effort as it has become so simple to type "You Have to See This Car Accident" and then have the url redirect to Astley or a dozen other crazy clips. Kind of the laziest practical joke going, the misdirected link to unexpected content will always be around in one form or another.

And so we come to the part of the post where I try to create the ultimate meme. While I will try to incorporate as many of the ingredients as possible, I may not hit all of them. Cats have been done to death so I'm mashing up a picture of a soft-shelled turtle splayed out on the sand with its head half peeking out with the all upper case captions "I NEEDZ VIAGRA" across the top and "CLIC HERE TO HELP" across the bottom. In blazing red upper and lower case mix, diagonal to the top right we have "EPiC SHeLL FaiL" and the entire picture, when clicked, links to the misdirection video clip from an 80s band. While I've missed out on the Motivational parody and the human aspect in the original content, I do believe the goofy humans in the video make up for it. So we have a 1-2-5 meme with a dash of post 4.

Please feel free to send the link to as many friends as you like or mashup your own soft-shelled turtle viagra jokes as you can muster... I feel cheap and dirty.

turtleviagra

thinglets: When Pandas Attack!

Apparently when there are over a billion people in a country I guess that, by process of elimination, that increases the total number of screwups. A giant panda at the Beijing zoo has now bitten the THIRD person who's fallen into its cage.

My favorite quote: "The panda is a national treasure, and I love and respect [him], so I didn't fight back," Zhang said. "The panda didn't let go until it chewed up my leg and its mouth was dripping with my blood."

You know what? I don't care if it's the Pope or President gnawing on my leg - I'm picking up the nearest rock or branch and going homerun derby on his skull.

psycho panda

thinglets: A Blogger's 12 Step Program

  1. We admitted we were powerless over blogging—that our opinions had become unmanageable... and then blogged about it.
  2. Came to believe that a Power greater than the web could restore us to sanity... and then Tweeted it.
  3. Made a decision to turn our keyboard and our webcams over to the care of Baud as we understood It... and then Facebooked it.
  4. Made a searching and fearless moral inventory of ourselves... and then MySpaced it.
  5. Admitted to Baud, to ourselves, and to every other human being the exact nature of our wrongs... and then Pinged it.
  6. Were entirely ready to have Baud remove all the defects of character mapping... and posted a pic of it on Flickr.
  7. Humbly asked Baud to remove our fail whales... and waited for it to happen.
  8. Made a list of all persons we had ReTweeted, and became willing to Friendfeed them all... and so did.
  9. Made direct messages to such people wherever possible, except when to do so would deprive Followers... and so we Dugg their posts.
  10. Continued to take social network inventory and when we were wrong promptly went to Seesmic and apologized... in 60 seconds.
  11. Sought through webcam and keyboard to improve our conscious contact with Baud as we understood It, typing only for knowledge of Its knowledge of us and the power to carry that out... to Technorati.
  12. Having had a virtual awakening as the result of page views, we tried to carry this message to luddite friends, and to practice such messaging in all our affairs... until something better comes along.

blogging

lovehatetunes.com is now a group site

lovehatetunes.com, the sister site to lovehatethings, is now a group site which means ANYONE can share their musical love hates.

Feel free to email your mp3 attachments or youtube video links to post@lovehatetunes.posterous.com

Remember that my role on this platform is to moderate, so your post may not show up right away - although I am online several times a day.

If you'd like to include a short explanation of why you love or hate the song, include it in the email. Feel free to comment on other people choices as well.

If you'd like to follow the naming structure I've tried to stick to, feel free, but really, do what ever you want.

Please try to keep it somewhat reasonable. I don't want be moderating submissions of someone's nazi punk discography.

Have fun and share you musical likes and dislikes, especially some obscure tracks that people may not have heard before.

lovehatetunes

lovehate: Fan to Store to Con to Web

Did you ever notice that, when you've eaten enough of your Cheerios to have the remaining lingerers left bobbing on the ripple surface of the milk like so many little beige inner tubes, they tend to clump together? Their round shapes allow each unit to hug each other in a tenuous fashion until others come to shore up the group in flowery patterns around the central group leader. And with each bite comes decay, disruption, and even the occasional disassembly of one group that prompts scattered, bobbing floating to a new group. Such are the life patterns of the Cheerios who were far too busy with other things to join the masses of their of lemming-like siblings into the orifice of doom.

There used to be a time where the concept of an in-person social network involved a pub, a movie, a dance, a concert, or some other event where like-minded people would gather for the sake of a shared experience. You see, today there's really not that much need to go to a film when we've got screen that fill walls and surround sound that rumbles the seats. Yet we still go out in record numbers to big films, not because we're afraid we're going to miss them, but because of the shared experience. We need the cluster. Even by two we tend to roll off each other.

I used to find the activity of flipping through record or CD bins a couple of times a week very therapeutic. I would flip absent-mindedly, knowing there was little to no chance I would find anything to buy, but there used to be a culture to a record store that was unparalleled for someone in their teens and twenties. There was a certain level of comfort in being able to rhyme off the names of 1000 bands and song titles that most other people hadn't heard of. Sure, maybe we were music snobs, but snobs cherish a certain aloof status that can often breach the realm of xenophobic. We were not such animals. We could not live without the culture. I knew at least a dozen people by look alone that would rifle through over 60 covers a minute and just wait for the opportunity to share an ounce of precious knowledge with the assembled masses. 

Woe be the neophyte that walked in and asked a clerk to identify a song by a broken, dyslexic boopboopbeep melody line that could have been a hundred songs. We craved the ineptitude of the clerk. We wanted to possess that grail of knowledge that could pluck the arcane track from the depths of oceans of discographies. We loved Pete Frame. We floated, avoiding spoons, in this bowl for years. We were comfortable. We were not alone.

And then, just as now, there were "shows". Comic book shows, record shows, trade shows, and collectors would gather from far and wide to barter on limited run indie comics or bootleg concert vinyl or video tape. Again, most of the stuff we saw there wasn't anything that we couldn't have had our local dealer order in, but the mass experience of dozens, if not hundreds, of people sharing a common interest, gathering to pursue acquisition dreams was just too good to pass up. Our clusters got larger. Soon we would fill the top of the bowl and leave nowhere to run should the utensils try to pick us off again. Because while we contained our quiet elitism in our home group, while the cluster ocean was exciting, our elitism was lost - we had become "normal" to this environment. This was not acceptable. We needed a sense of elitism yet again while not being robbed of the ocean's lure.

The face of the gatherings, or the "shows" has changed. Shows still exist at the local level, but the growing ability to communicate their existence has promoted the knowledge of the conventions to a wider audience.  Conventions which only used to draw dealers, now reached for a select group of consumers. We had found our Panacea. We could live out the fantasies of the sprawling ocean of knowledge where we could abandon our elitism and forsake the gravitas we held back in our home clusters. We were no longer afraid to look occasionally uninformed because WE HAD TRAVELED TO THE CONVENTION!

By, like so many snowbirds going south on the I-75, traveling to the ocean, there would always be a locale to return to where we could be the expert. Some people considered us crazy: 

"You're paying how much money to go and see a bunch of comic books?" 

"You're going to Las Vegas for four days and you're going to look at TVs and DVD players?" 

"You're taking time off work so that you can watch a guy in a black turtleneck get on stage and do a commercial for an hour about a computer named after a fruit!?!"

But for everyone of the unwashed masses that would bat an eye back home, we were the envies of those in the clusters and the stores and the shows. We finally found a place where we could indulge our obsessive knowledge and wander with admitted awe and reverence. We could share our joy with sometimes thousands of people who shared our predilection of medium or genre. We could share, relax, ingest, experience and enjoy. For when we returned home we would certainly be deities amongst our cluster. We were sure all the other Cheerios would rise on edge out of the bowl and cry, "He has returned! He has returned! Please share your invaluable knowledge with us!"

We were sure of all this until we remembered every one of our friends had watched a streaming video of the entire convention and subsequently read every blog, blogged themselves, tweeted and retweeted a thousand tidbits of information. You discovered that you wouldn't be revered, that your knowledge was maybe even less about the events you attended live than your friends. And your oncoming disappointment turned to surprise when your friends still gathered 'round, still in sufficient awe, still with excitement to ask, "What was it like?" Because no matter how much knowledge you have about something, no matter how many links you click, or followers you have, or blog postings you read or write, there's nothing that will replace a visceral experience of being among a thousand, ten thousand, or a hundred thousand people with whom you share something.

It's why, forsaking the store and local cluster, we flock to the web, because short of being at a convention, or a concert, or a movie every day, we can at least participate in the illusion of the full bowl of Cheerios all standing as one in defiance of the spoon - and when the visceral is unavailable or unattainable, maybe the illusion is the next best thing.